Theory III is a continuation of the historical-analytical work of MUSC 152, focusing on study of chromatic harmony, form and analysis, and 20th century musical structures. Application of chromatically altered chords (Neapolitan, borrowed, and augmented sixth chords) is followed by a study of binary, ternary, rondo, variation, and sonata forms. In addition to the study of form and harmony, students will be introduced to jazz theory and atonal constructs of the 20th century. Required course work includes analysis, aural skills training, sight singing, composition, and use of Noteflight software. Prerequisites: 152. QL